Pocket returns in this follow up to Fool written by Christopher Moore. Fresh from being an ambassador from a kingdom that no longer exists, a former slave to the king of Britain and a royal consort to his daughter, this self-proclaimed troubadour now travels towards a new adventure with a jingle in his step from his hat bells. Left to die in a dungeon by Barbantio, the senator of Venice, and his cronies, Pocket makes a miraculous escape and chances upon Shylock the money lender. This begins the comical adventures of one of the most unusual cast of characters ever formed. Gobbo, a blind beggar with bizarre presumptions; Drool, Pocket's old friend, born with a hidden talent of remembering whole conversations then reciting them back word for word, yet unfortunately is cursed with a mimicking problem; and of course Jeff, the monkey. Undercover as Signor Lancelot Gobbo, Pocket embarks on a quest to rescue his old comrades, yet stumbles upon an outlandish contest scam which involves sealed caskets and a bid for the lovely maiden Portia's hand in marriage. As the connections fall into place and the mystery begins to unravel, the real jesting begins as a discovery of a serpent-like creature is made within the canal waters that is genetically beautiful yet dangerous and carries an abnormal affection for our hero.
Christopher Moore's setting of Venice in the mythical late thirteenth century has all the ingredients for a successful follow up novel. The trademark buffoonery that is well known among his books is very much present here and will surely please loyal fans as well as newcomers. With a heavy dose of comedic oddballs, the reader will enjoy not only the return of thief, rascal, and fool, Pocket, but will also meet famed explorer Marco Polo, the whimsical Drool, Jeff the monkey, and the mysterious water dwelling spirit creature that is often called by the Venetians as Blackfish or Dragon. An extra added treat comes in the form of an articulating chorus throughout the book, and with its accompanied narrative communication and guided dialog, the reader will be constantly entertained entering each chapter. With his inspiration from The Cask of Amontillado, The Merchant of Venice, and Othello, Christopher Moore is able to combine these classic tales along with his brand of humor resulting in a mirthful tale entitled The Serpent of Venice.
New York Times bestselling author Christopher Moore channels William Shakespeare and Edgar Allan Poe in this satiric Venetian gothic featuring the irresistibly mischievous Pocket of Dog Snogging, the eponymous hero of Fool
Venice, a really long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from Britain who also happens to be a favorite of the Doge: the rascal-Fool Pocket.
This trio of cunning plotters--the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago--have lured Pocket to a dark dungeon, promising a spirited evening with a rare Amontillado sherry and a fetching young noblewoman. Their invitation is, of course, bogus. The wine is drugged; the girl is nowhere in sight. These scoundrels have something far less amusing planned for the man who has consistently foiled their quest for power and wealth. But this Fool is no fool . . . and the story is only beginning.
Once again, Christopher Moore delivers a rousing literary satire, a dramedy mash-up rich with delights, including (but not limited to): foul plots, counterplots, true love, jealousy, murder, betrayal, revenge, codpieces, three mysterious locked boxes, a boatload of gold, a pound of flesh, occasional debauchery, and water (lots of water). Not to mention a cast Shakespeare himself would be proud of: Shylock; Iago; Othello; a bunch of other guys whose names end in "o"; a trio of comely wenches--Desdemona, Jessica, Portia; the brilliant Fool; his large sidekick, Drool; Jeff, the pet monkey; a lovesick sea serpent; and a ghost (yes, there's always a bloody ghost).
Wickedly witty and outrageously inventive, The Serpent of Venice pays cheeky homage to the Bard and illuminates the absurdity of the human condition as only Christopher Moore can.
Note: The book, too, is a veritable work of art. Rich creamy stock is enhanced by two-color printing, featuring part/chapter titles, running heads, and folios printed in red ink. The text block has blue-stained edges. The book opens to reveal two-page spread endpapers decorated with a sepia-toned antique map of Venice; an antique map of Italy graces the book's front matter, printed in red. The jacket sports a matte finish with embossed author and title type; gold foil embellishes the title and illustration detail.