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Publishers Weekly says The Son “speaks volumes about humanity—our insatiable greed, our inherent frailty, the endless cycle of conquer or be conquered.” Three generations of the McCullough family tell the story of living in Texas: Eli is captured and raised by Comanche Indians, his son Peter wants nothing to do with the world his father had forged from dirt and blood, and Jeannie ultimately inherits the family fortune. A woman running a corporation in the man’s world of oil and a son trying to break out of family dealings would make for an interesting story in the hands of a talented writer like Philipp Meyer but his tales of life with the Comanche will make your heart pound and your jaw drop.--Sydne, Atlanta
Indie Next ListJune 2013
Epic yet intimate, Meyer's The Son is the best kind of historical fiction. Vivid characters and great storytelling bring to life a distant time and place, while the themes and issues explored are completely relevant to our time. The interwoven perspectives of the three generations of the McCullough family create a counterpoint as each comments on the others, their mores, and their expectations and how these change over time. This is what great literature should be: a page-turner with a serious moral purpose. -- Scott, Books Inc., San Francisco, CA
A Globe & Mail 100 Selection
Spring, 1849. Eli McCullough is thirteen years old when a band of Comanche storms his Texas homestead and murders his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, carving out a place as the chief's adopted son and waging war against their enemies, including white men--which complicates his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized nor fully wild, he must fashion a place for himself in a world in which he does not fully belong--a journey of adventure, tragedy, and grit that reverberates in the lives of his progeny.
Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and Eli's great-granddaughter, Jeannie, a woman who must fight hardened rivals to succeed in a man's world. Philipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, and even children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices.
Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.