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From Wall Street to the West Coast, from blue-collar billionaires to blue-blood fortunes, from the Google guys to hedge-fund honchos, "All the Money in the World "gives us the lowdown on today richest Americans. Veteran journalists Peter W. Bernstein and Annalyn Swan delve into who made and lost the most money in the past twenty-five years, the fields and industries that have produced the greatest wealth, the biggest risk takers, the most competitive players, the most wasteful family feuds, the trophy wives, the most conspicuous consumers, the biggest art collectors, and the most and least generous philanthropists. Incorporating exclusive, never-before-published data from "Forbes" magazine, "All the Money in the World "is a vastly entertaining, behind-the-scenes look at today's Big Rich.
About the Author
Amy D. Bernstein and Peter W. Bernstein work as editors and writers in New York City. Peter is a former top editor at "U.S. News & World Report" and "Fortune" magazines, and he edits the "Ernst & Young Tax Guide." Amy recently contributed to the bestselling "Secrets of the Code."
Mark Stevens is the art critic for "New York" magazine. He has also been the art critic for "The New Republic" and "Newsweek "and has written for such publications as" Vanity Fair," the "New York Times," and "The New Yorker," He lives in New York City. Annalyn Swan has been a writer at "Time" and an award-winning music critic and senior arts editor at "Newsweek," She has written for "The New Republic, The Atlantic Monthly, "and "New York "magazine. She lives in New York City.
"From the Hardcover edition."
“Full of rags-to-riches stories and colorful anecdotes that make it . . . compulsively readable.” —The New York Times
“Cogent, fluid, encyclopedic in its detail, this book touches on almost every aspect of getting and spending [money].” —International Herald Tribune
“A well written and edited compilation of facts and anecdotes. . . . Gilt inevitably produces guilt.” —Providence Journal
“All the Money in the World is not just scholarly; it's also highly readable and provocative.” —BookPage