Now in rich color, thirty of American painter Edward Hopper's masterpieces with critiques from acclaimed poet Mark Strand. Strand deftly illuminates the work of the frequently misunderstood American painter, whose enigmatic paintings--of gas stations, storefronts, cafeterias, and hotel rooms--number among the most powerful of our time. In brief but wonderfully compelling comments accompanying each painting, the elegant expressiveness of Strand's language is put to the service of Hopper's visual world. The result is a singularly illuminating presentation of the work of one of America's best-known artists. Strand shows us how the formal elements of the paintings--geometrical shapes pointing beyond the canvas, light from unseen sources--locate the viewer, as he says, "in a virtual space where the influence and availability of feeling predominate." An unforgettable combination of prose and painting in their highest forms, this book is a must for poetry and art lovers alike.
"From the Hardcover edition.
About the Author
Mark Strand is an outdoor generalist raised in a family headed by his father, a passionate outdoorsman. He grew up fishing, hunting, and shooting for fun, changing the game as the seasons turned. Because he went fishing and hunting on some days he should have been in class, it took Mark five plus years to be graduated from the University of Minnesota with a degree in Journalism and a minor in Fisheries & Wildlife. Strand lives in Minnesota with wife Jill, son Willie, daughter Samantha, a hunting dog named Ali, and an amazing collection of stuff needed to get outside and have fun.
"Mark Strand looks more deeply into Hopper's pictures than anyone else has before." --Adam Gopnik
"Strand takes the poet's entrance into the silent world of Hopper with a gift of words that allows painter and poet to become partners in opening the windows of the imagination." --Wayne Theibaud
"Strand's perceptions are intuitive and visceral. I recommend this strange and wonderful book to anyone interested in Hopper's work." --Justin Spring, Artforum