Deep in the heart of Philadelphia, past row houses and vacant lots, run-down playgrounds and dilapidated schools, is a little place called Fletcher Street. It has everything one would expect to find down an alley in the ghetto, with one addition: horses. The men and boys of Fletcher Street have used their passion for riding and bonds with their rides to build their and their community’s sense of worth. They describe their passion for horses as having kept them from the temptations of street life. Fletcher Street by Martha Camarillo documents the lives of these men and the boys they mentor, who board their horses in abandoned houses or makeshift stables, and ride them through the streets of Philly.
Camarillo’s work is valuable not only because it illuminates a fascinating new aspect of culture, but also because it challenges those who see it. Her photographs force viewers to confront their own preconceptions of sport as representative of social status, and race as a demarcation of class. The power of Camarillo’s exploration of this underrepresented community is based on the strength of the men themselves: urban horsemen who have ridden away from the ’hood and toward a better future.