CORDUROY MANSIONS - Book 2
In the Corduroy Mansions series of novels, set in London's hip Pimlico neighborhood, we meet a cast of charming eccentrics, including perhaps the world's most clever terrier, who make their home in a handsome, though slightly dilapidated, apartment block.
The heartwarming and hilarious new installment in the Corduroy Mansions series presents the further adventures of Alexander McCall Smith's newest beloved character: the Pimlico terrier Freddie de la Hay.
In the elegantly crumbling mansion block in Pimlico called Corduroy Mansions, the comings and goings of the wonderfully motley crew of residents continue apace. A pair of New Age operators has determined that Terence Moongrove's estate is the cosmologically correct place for their center for cosmological studies. Literary agent Barbara Ragg has decided to represent Autobiography of a Yeti, purportedly dictated to the author by the Abominable Snowman himself. And our small, furry, endlessly surprising canine hero Freddie de la Hay belonging to failed oenophile William French has been recruited by MI6 to infiltrate a Russian spy ring. Needless to say, the other denizens of Corduroy Mansions have issues of their own. But all of them will be addressed with the wit and insight into the foibles of the human condition that have become the hallmark of this peerless storyteller.
Praise for CORDUROY MANSIONS
“A new cast of characters to love . . . McCall Smith is a writer of such fond, heartfelt geniality that at the end of this cozy read, fans will be grateful that the series has just begun.”
—Entertainment Weekly, “A–”
“McCall Smith cooks up a delicious story that seems part Restoration comedy and part Victorian novel, tossed with a dash of mystery and a dollop of satire. Corduroy Mansions is like the cloth of its title—comfortable, easy, homey.”
—The Washington Post
“[Here is a] wonderful world of realistic characters getting up to real mischief in McCall Smith’s velvety prose and vivid imagination.”
“Whimsical . . . McCall Smith specializes in subplots that punctuate the book like polka dots, relying on his considerable literary skills to link them into a merry pattern of human events.”
—The Washington Times