This book is a little crazy...but crazy fun to read! It might even make you glance at the one next to you and wonder, “Do I really know this person?” Creepy yet perfectly alluring, Gone Girl will absorb you into every page until you start to feel a little unhinged yourself.
— Georgia, Roanoke
is Gillian Flynn’s breakout novel. This stunningly dark thriller is
brilliant. There’ve been ‘missing wife’ novels written before where the
husband is suspect #1 but this one will snatch you and test your
ability to hold on through the ride. The wife (Amy) and husband (Nick)
tell their stories through alternating voices (Amy by journals) that
when put together form this skillful thriller is sure to become a genre
— Ron, Los Angeles
June 2012 Indie Next List
“Told from the alternating perspectives of Amy and Nick whose marriage is falling apart in small-town Missouri, this is first a story of perfect young love in Manhattan, followed by its slow disintegration after both partners lose their jobs and move to Nick's hometown to help his family through his mother's terminal illness. When Amy disappears, who is innocent and who is guilty? Slowly, each spouse's lies and deceptions are laid bare until the real foundation of their relationship is revealed. A tale reminiscent of Scott Turow, with a veneer of crazy all its own!”
— Susan Taylor, Book House of Stuyvesant Plaza, Albany, NY
#1 NEW YORK TIMES BESTSELLER • The “mercilessly entertaining” (Vanity Fair) instant classic “about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships” (Lev Grossman, Time).
NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF TIME’S TEN BEST FICTION BOOKS OF THE DECADE AND ONE OF ENTERTAINMENT WEEKLY’S BEST BOOKS OF THE DECADE
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • People • Entertainment Weekly • O: The Oprah Magazine • Slate • Kansas City Star • USA Today • Christian Science Monitor On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
NAMED ONE OF THE BEST BOOKS OF THE YEAR BYSan Francisco Chronicle • St. Louis Post Dispatch • Chicago Tribune • HuffPost • Newsday
“Absorbing . . . In masterly fashion, Flynn depicts the unraveling of a marriage—and of a recession-hit Midwest—by interweaving the wife’s diary entries with the husband’s first-person account.”—New Yorker
“Ms. Flynn writes dark suspense novels that anatomize violence without splashing barrels of blood around the pages . . . Ms. Flynn has much more up her sleeve than a simple missing-person case. As Nick and Amy alternately tell their stories, marriage has never looked so menacing, narrators so unreliable.”—The Wall Street Journal
“The story unfolds in precise and riveting prose . . . even while you know you’re being manipulated, searching for the missing pieces is half the thrill of this wickedly absorbing tale.”—O: The Oprah Magazine
About the Author
Gillian Flynn is the author of the #1 New York Times bestseller Gone Girl, for which she wrote the Golden Globe-nominated screenplay, and the New York Times bestsellers Dark Places and Sharp Objects. A former critic for Entertainment Weekly, she lives in Chicago with her husband and children.
“Ice-pick-sharp . . . spectacularly sneaky . . . impressively cagey . . . Gone Girl is Ms. Flynn’s dazzling breakthrough. It is wily, mercurial, subtly layered and populated by characters so well imagined that they’re hard to part with.”—Janet Maslin, The New York Times “An ingenious and viperish thriller . . . Even as Gone Girl grows truly twisted and wild, it says smart things about how tenuous power relations are between men and women, and how often couples are at the mercy of forces beyond their control. As if that weren’t enough, Flynn has created a genuinely creepy villain you don't see coming. People love to talk about the banality of evil. You’re about to meet a maniac you could fall in love with.” —Jeff Giles, Entertainment Weekly
“An irresistible summer thriller with a twisting plot worthy of Alfred Hitchcock. Burrowing deep into the murkiest corners of the human psyche, this delectable summer read will give you the creeps and keep you on edge until the last page.”—People (four stars)
“It’s simply fantastic: terrifying, darkly funny and at times moving. . . . [Gone Girl is] her most intricately twisted and deliciously sinister story, dangerous for any reader who prefers to savor a novel as opposed to consuming it whole in one sitting.”—Michelle Weiner, Associated Press
“Gillian Flynn’s third novel is both breakneck-paced thriller and masterful dissection of marital breakdown. . . . Wickedly plotted and surprisingly thoughtful, this is a terrifically good read.”—Boston Globe
“Gone Girl is that rare thing: a book that thrills and delights while holding up a mirror to how we live. . . . Through her two ultimately unreliable narrators, Flynn masterfully weaves the slow trickle of critical details with 90-degree plot turns. . . . Timely, poignant and emotionally rich, Gone Girl will peel away your comfort levels even as you root for its protagonists—despite your best intuition.” —San Francisco Chronicle
“Gillian Flynn's barbed and brilliant Gone Girl has two deceitful, disturbing, irresistible narrators and a plot that twists so many times you'll be dizzy.”—Minneapolis Star-Tribune
“Flynn is a master manipulator, deftly fielding multiple unreliable narrators, sardonic humor, and social satire in a story of a marriage gone wrong that makes black comedies like The War of the Rosesand Who’s Afraid of Virginia Woolf look like scenes from a honeymoon. . . . It is, in a word, amazing.”—Yvonne Zipp,Christian Science Monitor “Gone Girl [is] a thriller with an insane twist and an insidiously realistic take on marriage.”—New York “Brilliantly constructed and consistently absorbing . . . The novel, which twists itself into new shapes, works as a page-turning thriller, but it’s also a study of marriage at its most destructive.”—Columbus Dispatch