From master storyteller Kate DiCamillo comes an original fairy tale—with enchanting illustrations by Julie Morstad—in which five puppets confront circumstances beyond their control with patience, cunning, and high spirits.
Shut up in a trunk by a taciturn old sea captain with a secret, five friends—a king, a wolf, a girl, a boy, and an owl—bicker, boast, and comfort one another in the dark. Individually, they dream of song and light, freedom and flight, purpose and glory, but they all agree they are part of a larger story, bound each to each by chance, bonded by the heart’s mysteries. When at last their shared fate arrives, landing them on a mantel in a blue room in the home of two little girls, the truth is more astonishing than any of them could have imagined. A beloved author of modern classics draws on her most moving themes with humor, heart, and wisdom in the first of the Norendy Tales, a projected trio of novellas linked by place and mood, each illustrated in black and white by a different virtuoso illustrator. A magical and beautifully packaged gift volume designed to be read aloud and shared, The Puppets of Spelhorst is a tale that soothes and strengthens us on our journey, leading us through whatever dark forest we find ourselves in.
About the Author
Kate DiCamillo is one of America’s most beloved storytellers. She is a former National Ambassador for Young People’s Literature and a two-time Newbery Medalist. Born in Philadelphia, she grew up in Florida and now lives in Minneapolis.
Julie Morstad is the illustrator of numerous acclaimed books for young readers, including House of Dreams: The Life of L. M. Montgomery by Liz Rosenberg, When Green Becomes Tomatoes by Julie Fogliano, and Swan: The Life and Dance of Anna Pavlova by Laurel Snyder. She lives in Vancouver, British Columbia.
A quintet of puppets—“the king and the wolf and the girl/ and the boy and the owl”—ponder their dreams and yearnings in this quietly entrancing novella told in three acts. . . . Newbery Medalist DiCamillo applies spare prose and witty conversation in fleshing out the puppets’ desires as well as exploring the power of stories to promote community and offer a path to fulfillment. —Publishers Weekly (starred review)
Like many other stories featuring toys, from Hitty to The Mouse and His Child, there is a strain of melancholy here, with characters who long for autonomy but whose existence is dependent on the imaginations of others. This mood is perfectly captured in digitally rendered pencil drawings that add specificity (a Regency-esque setting in fictional Norendy), dignity, drama, and sheer beauty. —The Horn Book (starred review
What treasure box does DiCamillo have in store for young readers this time? One that contains five beautifully crafted puppets. . . DiCamillo’s storytelling is as effortless as always, and Morstad’s frequent pencil illustrations elevate it further. This first of the Norendy Tales chapter-book series is guaranteed to enchant young readers. This collaboration by two masters of their craft—a Newbery Medalist and a Governor General’s Literary Award finalist—will prove irresistible. —Booklist (starred review)
DiCamillo has a knack for capturing the real sentiments of children (and puppets), foibles and all, in fantastical settings and circumstances. . . . As in all DiCamillo's stories, the pages are peppered with smart, wry humor, balanced with moving moments of flawed humanity. An absolute gem. . . . Kate DiCamillo's dazzling first title in the Norendy Tales trilogy is brimming with wit, whimsy, and heart as it follows five puppets fulfilling their thrilling shared destiny. —Shelf Awareness
Puppets yearn for greater things. . . . A quiet, comforting fable of identity and belonging. —Kirkus Reviews
Wow. DiCamillo’s The Puppets of Spelhorst is a master class in storytelling. As soon as I finished the book, I turned back to page one and started reading it again. Five stars. —Colby Sharp, educator and coauthor of The Commonsense Guide to Your Classroom Library
There’s so much more to talk about with this book. The role of the girls who play with the puppets and how their very different impressions of them cause great changes. The role of the maid Jane Twiddum and what she wants. Heck, there’s a whole undercurrent of feminism and the roles puppets and living women play within society, but I suppose I’ll save that for someone else’s thesis. The important thing to understand is that this is a story where it doesn’t matter how physically passive you are. Your interior life, your hopes and dreams and goals, that’s the thing that matters. That’s what’s going to make you into an active protagonist in the end, regardless of whether or not you have the ability to move. The Puppets of Spelhorst taught me that. Now imagine what it could teach your own children. —Betsy Bird, A Fuse #8 Production, School Library Journal